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How To Survive a Down Economy As A Photographer

// July 12th, 2009 // 1 Comment » // DPS

Digital Photography School | Current

In today’s economic climate many photographers are finding it tough. Today Annie Tao from www.annietaophotography.com shares some tips on getting through the economic downturn.

Image by kwerfeldein

Image by kwerfeldein

You can ask 10 photographers what they think is their key to success in a bad economy – okay, flat out terrible economy – and you may get 10 different responses. Recently, a fellow photographer who had been following my blog commented that he wished he was busier, “but not Annie-busy!” He was stating this because I post client photoshoot sneak peeks on my blog every few days. Being a successful photographer is more than having a lot of business, it’s also about being profitable and, more importantly, being happy. That last point may sound hokey, but if having one photoshoot every few weeks makes you happy or making just enough to send your family on vacation is what you strive for, then that’s success.

Hearing this new term, Annie-busy, made me think about how I’d explain to other photographers what I’ve done in this economic recession that has kept my business flourishing. Though there are certainly other things that can be added to this list, here is what has been working for me.

There are three main points:

1. Have The Right Attitude

Even if you are a leader in your field, you need to keep learning new things – whether they are new gadgets and equipment or new techniques. You can take classes, attend seminars, and read industry publications. You can connect with other photographers to brainstorm ideas and learn tips.

Once you feel complacent and have an attitude that you don’t need to learn anything further, you will fall behind the pack.

2. Don’t Wait For Business

Whether you are busy with multiple photoshoots every week and a positive cash flow or your camera is collecting dust, there are many things you can do that can help your business.

Take action.

Here are some ideas to get you started: Can you update your portfolio? Are there vendors you wanted to try? Is there anything you can improve on your website? Are there things your competition is doing that you are interested in doing/having (ie, cool paper products, a blog)? Is there a way to expedite your workflow? Did you want to try out a new technique?

3. Think Outside The Box

I come from a Marketing background, so in my opinion, the three biggest reasons for one product’s success over another is Marketing, Marketing, Marketing. In this case, your “product” is you.

With that said, think about what else you can do to market your business.

You first have to have good online presence. So make sure you are happy with your website, and happy with how you and your business are presented to the public.

In addition to the traditional marketing methods, like advertising where your target audience will see the ad, there are also marketing avenues that are more effective… and often free! A good example is Relationship Marketing. It starts with creating a relationship with your clients. If your client refers you to someone else, that is 100 times more effective than having 100 people see your ad. Also, you can talk to business owners who share the same clients. You may be able to find common interests and run a co-promotion or find a way to help each other out. In this kind of economy, many businesses have to cut their advertising and marketing budget, so you may want to consider a product/services trade.

In the last few years, social networking has been growing in popularity, but it has also proven to be the new way to advertise. And it’s free! Networking sites, like Facebook and Twitter, are places millions of people frequent every day. I have gotten clients within minutes of an existing client posting their photos on their Facebook page. It is like getting an instant referral because that person knows my client, and referrals go a long way in this industry!

Another consideration is expanding your business in the form of your product line or even type of photography. I started out as a lifestyle photographer specializing in children, maternity and families, then tried out commercial photography and event photography this year – and really liked it! The commercial and event photography balances out the fast-paced, running-and-jumping-with-the-kids-til-I’m-sweating kind of photography! Expanding what you do to other types of photography will also expand your client base.

If you do this, don’t forget to stay true to yourself. Know what makes you happy and don’t change what you love only to grow your business. Clients will be able to detect your passion, or lack thereof, for the business. Plus, your artwork will reflect how you feel, so stick to doing what you love.

annie-tao.jpg
So test the waters, think outside the box, don’t wait for business to come to you, and have the right attitude regardless of the state of the economy.

Annie Tao is a lifestyle, commercial and event photographer in the San Francisco Bay Area.

You can view her site at www.annietaophotography.com or read what she’s been up to on her blog at www.annietaoblog.com.

Post from: Digital Photography School – Photography Tips.

How To Survive a Down Economy As A Photographer


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9 Pet Photography Tips

// July 12th, 2009 // No Comments » // DPS

Digital Photography School | Current

This guest post on Pet Photography was submitted by Antoine Khater at All Day I Dream About Photography.

Pets fill very quickly their place in our hearts and families and we enjoy having their pictures framed on our desk or wall! However taking pictures of your best friend is not always easy. Pets, unlike humans, do not understand what we are trying to do and won’t just pose for the camera! Here are 9 tips that will help you help you get the most of your photo session

1. Use Natural Light

If possible always use natural light when taking your pet in picture. Avoid flash, as flash burst can, not only cause red-eye, but also frighten the animal. Instead try to go outside or, if it is not possible, in a room well lit by a large window.

2. Keep the Eyes Sharp

Having sharp eyes is important in any kind of portraits photography. As they say, “Eyes are the Window to the Soul” and pets eye can be very expressive. So make sure to focus on your pet’s eyes and keep the tack sharp

3. Go to Them

It is very important that you pet feels comfortable and at ease, so instead of forcing him to come to you go to him. Most important is to get down to his level; We all know how a dog looks when viewed from above, this is the way we always see them. Show us the way they see world! Sit on the floor or lie on your belly and remember to shoot from HIS eye level or below.

4. Give Value to their Character

You know your pet better than anyone else, and a successful picture is one that conveys the character of its subject. If you have a lazy cat show him yawning, if your animal is of a playful type show him in action performing his favorite trick.

5. Go Macro

Put on that long lens and fill the frame with your pet’s face and fur, close up shots often make beautiful animal portrait.

6. Surprise Them

One of the most difficult things is to let your pet hold still. An easy trick is to let him play quietly and, once you have everything ready, let someone call for him or whistle. This will surprise him and caught his attention and you will have a few seconds to capture him in a nice and alert posture

7. Schedule your Session

If you are longing for a formal pet portrait shot, try to schedule the photo session when you’re animal is somewhat sleepy or has just woke up it will be much easier to keep him still then. If you want a more dynamic shot then pick up a time when your pet is energetic. If he is sick it is better to just postpone it for another day.

8. Be Patient

Pet photography requires a lot of patience. No matter how excited your furry friend is, if you are patient enough, he will end up by relaxing and you will have the opportunity to get a decent shot.

9. Experiment

Take your time and enjoy the session, try different approaches, angles and compositions. Shoot a lot you will have time to worry about the results later.

You have a tip that I forgot to mention here ? Make sure to share it with us

Read more unique photography and retouching tips written by Antoine Khater at All Day I Dream About Photography or subscribe to his RSS feed

Post from: Digital Photography School – Photography Tips.

9 Pet Photography Tips


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This Week in the Digital Photography School Forums (5-11 Jul ‘09)

// July 11th, 2009 // No Comments » // DPS

Digital Photography School | Current

Weekly Assignment

Dad (by Garry Gannell)This week we completed our B&W Portraits assignment. This was one of those weeks where there were so many high quality shots that we had a hard time picking. But this week’s winner’s shot has such a story behind it, we couldn’t help but be moved. ggannell’s photograph of his Dad had a touching story (read it here), and the soft light and soft background of the photo help show the love of a son for his father, but it also helps tell the story. Our first runner up, kansasA’s shot of wet hair being flicked does a fantastic job of freezing the action. One thing we noticed about this shot was although it seemed like the subject was facing out of the frame, the composition of the hair led your eye back into the frame, showing that sometimes your subject doesn’t need to have room in front of it. And last, but not least was 3afsa’s headshot. Although it was a standard headshot, it was technically well done, and the furrowed brow gives it more interest.

B&W Portrait (by 3afsa)Sydney Swimming (by KansasA)This week’s assignment is A Mistake, well, the assignment isn’t a mistake, but we want you to show us shots that you originally thought were a mistake, but that turned out to be better than your intended shot. This week’s assignment rules are just a little bit different than normal, so please keep on reading. First, your shot still needs to have the words “Assignment: A Mistake” in the post, but here’s where it’s different. This week, your shot can be from any time up until the assignment closes on 15 July 2009. Next, we also need you to tell us why it was a mistake. Finally, the EXIF should be intact, and it’s useful if you can also include the main points (lens, shutter speed, ISO, aperture, etc). Next week’s assignment will be humour. Something we can all use a little of.

Hot Threads

  • This is why you should shoot in RAW and not delete “bad” photos: People often like to talk about the benefits of shooting RAW, but there aren’t always examples of “why”. Well, this is one of those examples. When you look at the “before” shot, you’ll be shocked with the “after”.
  • How can you tell when a sunset will be good?: There are ways to find out when the sun will set, and ways to find out where the sun will set, but it’s much more difficult to figure out whether or not a sunset will be a good one. Do you have any tricks on how to tell if a sunset will be good? Or do you just pick a spot and hope for the best? Come share in the thread.
  • Movie Title Challenge: One of the great things about the forums is the chance to participate in some fun photo games. This game is pretty self explanatory, but the goal is to post a photo along with the name of the movie it would be associated with. Head over to the thread in the forum and post your own.
  • Your Flickr Top 3: When there are so many good photographers on the forum it becomes hard to find shots sometimes. Well, Ginger Pixie started a thread for people to share their top 3 “most interesting shots” (according to Flickr that is). Come show the world what Flickr thinks is interesting in your photos.
  • What Would You Do: As always, there’s another week of our weekly post-processing thread where you get to edit the photo of another forum member. Whether you’re new to editing or are a pro at it, come show us what you would do if you were editing the photo.

Post from: Digital Photography School – Photography Tips.

This Week in the Digital Photography School Forums (5-11 Jul ‘09)


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Nolobe Iris Software for Mac [REVIEW]

// July 11th, 2009 // 1 Comment » // DPS

Digital Photography School | Current

It’s getting tough out there in the naming business: Adobe’s got Lightroom — good name; Apple has Aperture — OK too; then it gets down to such words as ‘iris’ — and would you believe there’s a whole forest of irises splashed across the computer village. There’s an iris for accountants, astronomers, the people in flight simulation and there’s even an I.R.I.S. that deals with OCR tasks.

And then there’s an Iris that deals with images. Figures huh!

Introducing Nolobe’s Iris Software.

nolobe-iris-Screen grab.jpg

This unassuming yet clever piece of software has been developed by a Perth, Western Australian company — Nolobe.

It’s a Mac application and runs at full speed on both Intel- and PowerPC-based Macs using OS X 10.5 Leopard. There’s much to like about Iris, not least of which is the US$79 price. There’s also a bit not to like … there’s no online Help for example. Oh well!

However Iris is ideal for computers with space limitations. The app weighs in at only 8.4 MB installed. Kicking it off you get the feeling you’ve seen it all before as it has a distinctively Photoshop-like GUI. Even the toolbar has similarities.

nolobe-iris-1.jpg

In my usual operating style the first thing I do when opening a camera image for the first time is to set Levels. With Iris, many will appreciate the presence of an Auto Levels function, a feature now missing from the current Photoshop.

nolobe-iris-3.jpg

You can also start by selecting the White Point and place the picture’s colouration either in a neutral full white zone or somewhere amongst an RGB/CMYK rainbow; this will suit beginners people but annoy the more advanced.

Iris has a one-window interface with no clutter from multiple palettes and there’s much to enjoy: as I said, you can ‘Auto Levels’ as well as ‘Auto Contrast’ an image, then move on to select its Gamma, colourise it, alter the saturation, exposure, invert colours, posterise and more. Image size is handled very simply as are changes to the size of the canvas itself. All the nice things that Photoshop does — but much simpler to deal with.

There’s Layers! You can paint and dabble with the image. Clone, erase and select sections of an image. Use an eye dropper. Add coloured text. With each of these a small palette pops up on the right upper corner of the window; the options are clearly defined and simple to use.

nolobe-iris-5.jpg

nolobe-iris-6.jpg

When you get to the Filters department, not much is missing and, if you’re of the cautious type, there’s quite a bit you can leave alone. Most of the Blurs are there … Gaussian, Motion, Noise Reduction etc; there’s a group of half tone screen options that will be useful for those who insert images into school newsletters and the like; there are only two sharpen options — but I figure they will be enough for most people.

Taking an overview of Iris’ attractions, I presume the software is sharply aimed at newbies — and it’s all the better for it. Iris does it all very well.

Post from: Digital Photography School – Photography Tips.

Nolobe Iris Software for Mac [REVIEW]


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Creative Digital Monochrome Effects [BOOK REVIEW]

// July 10th, 2009 // No Comments » // DPS

Digital Photography School | Current

Creative Digital Monochrome Effects.jpgYou can abuse it, denigrate it, ignore it and generally shove it to the furthest recesses of your mind … but monochrome imagery just won’t lie down!

So, here’s yet another book on how to create digital monochrome pictures – Creative Digital Monochrome Effects. And, have to admit, I’m a sucker for the whole topic.

Basically, making mono images is a tough ask in this 21st world of colour. Colour is just so damned easy while mono is a tough challenge and what makes Farace’s book a little different is that he re-explores some ‘lost’ techniques that will encourage you to dabble in the methodology. Wouldn’t you like to make some Cyanotypes, Bromoils, Platinotypes? I sure would!

The author also explores the in-camera methods of capturing a mono image, then moves on to the use of camera filters to reduce the colour range of a subject.

The point is made that correct exposure of an image intended to be ‘mono-ised’ is essential, with correct use of the LCD’s histogram to restrict the tonal range a important chore.

Post-capture techniques naturally call for some ‘heavy lifting’ and, at this point the involvement of RAW format is encouraged.

We then get into toning: duotones, tritons, quadtones are treated in some detail and, if you have never dabbled in toning, this chapter alone will set you on fire.

Throughout the book suggestions are made on which software to employ, with descriptions of the role of such apps as BW Styler, nik Color Efex Pro, Pixel Genius PhotoKit and others given.

A novel approach in painting with Layers is described, where Photoshop brushwork can help ignite an otherwise mundane image.
If your photography has become a little tired of late this book will re-invigorate your passion.

Post from: Digital Photography School – Photography Tips.

Creative Digital Monochrome Effects [BOOK REVIEW]


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